I love the show "Selfridge's." Mr. Selfridge is the boss of the department store, Selfridge's, in 1920's London. He's the rare boss, the hard to find boss, a unicorn. He's good-hearted, fair, firm, upright, honest, and with an intact and functioning conscience. It's wonderful to fantasize about working for a boss like that. I like to see him feeling guilty and trying to amend his misdeeds, because that means he intends good and realizes he made a mistake in judgement. We do perceive this world as through a glass darkly. In our hurried lives, sometimes the right path is not always clear. He's also handsome, charming, dynamic, and capable of changing his position when he realizes he's wrong. I haven't known many bosses that can do that trick, change their mind when they know they've made a mistake. Most will keep grinding away at their same mistakes over and over again, due to pride or complacency, instead of changing course in logical fashion.
I like the show because it depicts a company where the workers and the boss are on the same page and the people all come together somehow. There is teamwork and somehow the employer-employee relationship takes on a more familial tone. I think some jaded, cynical critics don't get the show because they can't relate with how appealing such a fantasy world is.
I love the theme music, as well. It evokes a bright sunny morning, full of hope and promise.
I do hope they don't go on and on about Mr. Selfridge's affairs with other women. I'm reminded of Tony Soprano and many other characters on television. Are no powerful men monogamous? I suppose monogamy bores the audience, while infidelity is rich in drama, considered the lifeblood of film. Or does film mirror reality? I wouldn't know.